Method of making composite pictures



Nov. 26, 1929. G. B. PoLLocK 1,737,021

METHOD OF MAKING COMPOSITE PICTURES Filed Nov. 23, 1926 2`Sheets-Sheet l arda/z b. Paddo/K.

G. B. PoLLocK l 1,737,021

METHOD OF MAKING COMPOSITE PICTURES Nov. 26, l 929.

File'd NOV. 23, 1926 2 Shee'lZS-Shelei'. 2

lllll "WWIIl l lllllllllllllllllllll Patented Nov. 26, 1929 PATENT GFFICE GORDON' B. PLLOCK, 0F UDS ANGELE, CALHORNIA METHOD OF MAKING COMPQSITE PICTURES Application led November 23, 1926. Serial No. lll.

This invention has to do with the making of what may be termed composite pictures; and although the invention and the typical methods herein described have peculiar utility in motion picture Work and Will be described more particularly with that Work in view, yet the invention is not at all necessarily limited to mot-ion pictures, but may be applied as Well to still pictures.

In the production of photographic pictures, and particularly in the production of motion pictures, it is Very often desirable to compose in a single scenic eect two or more components derived originally from difierent sources and perhaps at different times. One of the methnds heretofore employed has characteristically involved the'actual modification of a scene, the modified scene being then photographed at a single exposure. Such scene modification, which is actually done on the ground or set, has usually been done by preparing a miniature representation of Whatever is desired to be added to the natural or otherwise existing scene, the miniature being so proportioned and placed with relation to the camera that although it may be relatively very close to the camera, it appears to be an original part of the scene. This method requires that the composite scene be prepared and photographed at a single exposure. And such a method has involved certain difficulties, among which are difficulties of accurate registration and also of blending the miniature into the natural scene. Although the miniature may be very carefully prepared as regards color values and light and dark tones to blend in the scene under certain lighting conditions, in a good many instances these lighting conditions may be difficult to reproduce when the picture is finally taken.

The major object of my present invention is'the provision of certain modes of procedure whereby modification of or additions to a. natural or other scene may be made after such scene has been photographed, the additive or modifying work being done entirely in the laboratory, and done with the' greatest possible accuracy botli as to position registration 50 and 'as to blending of color values and tones.

lt will be understood that the composition of scenes in the laboratory, after the original scene or scenes have been photographed, has been practiced in the past; but my invention adds to such procedure an accuracy of color and position registration heretofore unobtainable. Although the foregoing may be termed the major object of the present invention, yetthere are other objects and corresponding accomplishments of the invention ge that are not necessarily limited to the particular and specic lrind of Work herein described, all as will appear best from the following detailed specification and the subjoined claims.

For the purpose of giving an understanding of the invention, l shall proceed to de tailed. descriptions oi preferred. and illustra-- tive procedures, but itwill be understood that the invention is not necessarily limited to the specic procedures and details hereinafter set out. These specically described procedures embody but one concrete form of my invention. Briedy the present form of my invention involves rst the exposure of a film, hereinafter termed the original negative, to the scene of which it is desired `to use a part or `Which may be desired to be used entirely but with certain modifications. I will first typically take the case where it is desiredito 8o use only a part oi a scene and make some additions to that scene to appear in" the finally finished photograph. Thus in photographing the original scene the part not desired will be blanked out by some suitable means, as by a suitable mat applied at, in or near the camera, or as by actually rendering non-actinic a part of the scene itself. This last form of blanlring out may sometimes be ver readily carried out in articial scenes or sets by 9o painting or hanging some non-actinic substance over the part of the scene not desired. The result of this original exposure is thus a latent image on a part of the negative, the remainder at that time-being unaffected by light. And it will be understood that this original partially exposed negative may be obtained by suitable partial printing from, or exposure to, a previously taken photograph of the scene.

At the time ot or preparatory to the making of this original partially exposed negative, a test negative will have been made by exposure under the same conditions as the original negative. It is this test negativewhich I use largely in the work about to he described. To all intents and purposes so tar as my process is concerned, 'this test negative is a duplicate vof the original negative; the test negative may not have the ac tion7 depicted in it, but for purposes of adding to or modifying the still or background parts ot a picture, the presence or absence of the action in the test negative is immaterial. A piece of the test negative (I am thinking particularly of motion picture work) is next exposed to what l term a registration chart-a blackboard with white registration lines arranged in some definite relationship. Although the form and relative placement of these lines may be made as desired, I find it practicable to use a rectilinear crossed arrangement ot registration lines, and these are preferably numbered for purposes of identification. At the same time that the test film is exposed to this registration board it is also exposed to what I term a color chart, which is a. chart carrying the graduations ot color or shade .which are afterwards used in making the artificial scene that is to he fitted into the original negative. After this exposure the test lm is thendeveloped, the development being carried on with a single eye to developing the partial image of the original scene to the desired point, whether that be a point of normal development, under-development or over-development. In other words the piece of test negative is then developed so that the developed image shows exactly as is desired. If the image of the color chart obtained by that development does not show up in its desired and proper graduations of shade or tone, another exposure of another piece of test negative is made in the same way, either by a longer or shorter exposure time, until upon development a piece of test negative is produced that gives the desired development of the image of the original scene and at the same time gives an image of the color,y chart showing the uniform or other desired graduation of all the shades or `tones on the color chart.

Such being obtained, thetime ofuexposure,v

the production of an artificial scene, conveniently ot a size corresponding to the size of registration board, and to which artificial scene the original partially exposed negative may then be again exposed without re-exposing the first exposed part. The finally developed negative then shows the complete composite scene just as desired, with an accurate position registration of its component parts and an accurate blending of the tones and shades ot the component parts.,

For the purpose ot' a more detailed and specifio description of the present embodiment of my invention, I refer to the accompanying drawings, in which:

Fig. l is a view showing in simple form the original scene, or the original scene as it might appear if it were wholly photographed;

hrig. 2 likewise shows the partially exposed negative of the original scene with parts of the original scene matted out. This view shows said negative as it would appear if developed at that stage of the procedure;

Fig. 3 shows a form of a mat that may be used for matting out the undesired parts of the original scene shown in Fig. l;

I" ig. a shows diagrammatically the arrangement ofthe camera and the registration board and color chart;

Fig. 5 shows a typical form of color chart;

Fig. 6 shows the original negative (or a piece of the test negative that is the same as the original negative) after it has been exy posed to theregistration chart and color chart and then developed;

Fig. 7 shows an enlargement of the negative of F ig. 6 with the image ofthe color chart cut out;

Fig. 8 shows a painting or other artificial scene production prepared to fit into the previously unexposed parts of the original negL tive; and

Fig. 9 shows the finished negative carrying the desired composite image.

Although it will be well understood that my methods and procedures are applicable to a large variety of scenes and that the method is adapted to scenes of various kinds that may be of complicated natures, and scenes that involve motion, for the purpose of simvplicity I here choose to speak of a simple natural still scene and show how that scene may be modified or added to as may be desired. Also I wish it understood that although I speak here of negatives and positives in the ordinary sense, the methods and procedures are not necessarily limited to the specific use of negatives and positives at certain points of the procedure, as will be well understood by those skilled in the art. The terms as used in the claims appended are purely relative.

W ith these understandings- F ig. l may be taken to represent whatwould be a completed negative of some original scene, the negative l Y' I l image showing for lnstance a road i0, having hills 1l at one side and 12 at the other side. It is desired, for instance, to change the pieture as regards its ri ht hand portion and its slry portion 13. he negatives of Figs. l, 2, 6 and 9 are shown reversed in the views, for simplicity of illustration and description.) Consequently, a suitable mat la, or the like, shaped as shown in F ig. 3, may be used in front of' the negative when it is exposed to the scene, and the result of that exposure is then a latent image l()a of the road and a latent image lla of the hills at the left, the remainder of the negative being totally unexposed. In motion picture worlr pieces of test film are sometimes taken, so that there is certainty as to the exposure time of the original negative. One of the pieces of test lm will be exposed under the same conditions as the original negative and thus that piece of test film which is afterwards used in my work is exactly the same as the original negative, such as shown in Fig. 2. However, a short piece of the original films may be used in my process as the test film. Such 'a test film is a duplicate of the original; and, particularly if it has been made on the same film length with the original, the test film bwill have the same shrinkage and other physical distortion characteristics as the original. Furthermore this test film is also a duplicate to the extent that it has been made in the same camera and under the same lighting conditions as the original. Whatever lens distortions there may be, are the same in both films; and the photographic records are exactly the same. But, however the two films or pieces of film are produced, the test film is preferably as nearly as possible a duplicate in all respects of the original. This duplicity being the essential characteristic of the original and test films, my invention is not necessarily limited to the preferred mode of obtaining them.

The original latent negative, such as shown in Fig. 2,' although usually obtained by exposure in a camera, may as well be obtained by printing exposure to a picture previously taken, the proper mats or equivalents being used. In fact it is immaterial, in the broader aspects of my invention, just how the original latent negative is produced.

For the purpose of my procedures l prepare a color chart such as is shown in Fig. 5, this chart being prepared on any suitable surface, as acard 20, and having several areas covered with pigments of different colors, or different shades ortones, or both. For instance, the test card may be made by covering the several areas 2l with selected paints that are to be used in the final production of the artificial scene component which is to be combined with the original negative. These several shades or colors of paint are preferably selected particularly with a view to good photography and facility of use by an artist. F or instance, they will be such shades and colors that to the eye will show a uniform graduation of shade or shade'and actually put upon the color chart are those used in the preparation of the artificial scene. For purposes of identification the color chart is numbered and the pigments used by the artist are correspondingly numbered so'that there may be no confusion. This color chart, such as for instance is shown in Fig. 5, is placed upon `the registration chart 25 in any suitable position where the color chart will appear upon the test filmin a previously unexposed part of that test film. The previously partially exposed but as yet undeveloped test film is then exposed in camera 26 to the two charts, and when this piece of test film is then developed it carries on it an image of the color chart and an image of the registration chart, the registration lines appearing over the whole face of the film, and superposed upon the images ll and 10a. See Fig. 6.

The registration chart is preferably made up of white lines on a black or non-actinic surface. Consequently the exposure of the test film to the registration chart does not change the images 10 and 1la on the film except to superimpose the black (negative) images ofthe white registration lines over the images 10a and 11a. Consequently these images 10a and 1la will show up in the test negative exactly as they Will in the original -negative when it is finally developed.

The test negative having thus been exposed to the two charts, it is then developed to the l velopment and fixing the film at a point when 'I the images 10 and 1la show up just as may be desired for the best effect. The film thus developed may not show an image of the color chart in which the several areas show anniform and satisfactory gradation between the several shades of color. For instance, in such a developed piece of test negative the lighter shades on the color chart may then all show up as substantially of the same negative density. lf this is the case, then another piece of test film is again exposed to the two charts, the time of exposure being lengthened or shortened, as experience may indicate as LTA desirable, the test film is again developed. This is done until, upon developing the test film with e single eye to proper development of the scene images, the image ot the color chart shows a; proper gradetion between the several shades. Fig. 6 represents such e developed negative. Then the time ot exposure by Which this proper image ot the color chart was produced is noted and the extent of development is also noted. This extent oit development is noted either by noting the time period ot development in a standard developing solution, or the the strength oi developing solution necessary to secure proper development in e standardized tinie, depending upon tbe nature ot the machinesl in which the final development o" the tinel lni is carried on. ythese noted tectors are then the ones which control the inal exposure ot tbe originel lilni und the extent ot develop nient oit that .dnelly exposed lilrn.

For convenience ot carrying on the work en enlargement is then made ot the negative of Fig. 6, the enlargement being ot such size that the artist may readily note the details et the iineges and tney readily conpere the tones end shades ot color velues between the image ot the colo-r chart and the scene images. The exact size ot this enlergenient is ot' no consequence ns the images und registre-tion lines ere enlarged in the saine proportions. Thus, Jfor instance, l produce the enlargement 30 such es shown in Fig. 'l carrying trie enlerged scene inieges lib and ILUG; end then the enlarged irnege of the color clinrt is cut out troni this enlargement, that enlarged ininge cut-out being shown in l 2Gb. tir/lith the use oit this enlarged positive 30 the enlarged positive iniege 29h et tbe color chert5 tbe artist or other person then prepares the ertiiiciel scene or scene component that is to be used in tilling out the previously un exposed parte ot the originel negative.. For the purpose et this description shell that the artist is melting his srtiticinl scene or scene component by method ot painting upon fiat surf-sce., but it will be understood that other v methods of rnalring such scene muy be used, es il reiter to later.

.d card or sny other suiteble painting surt'ece 3l is prepered, preteisbly,eltliougli not necessarily, oit exactly the seine size es the originel registration cliert 25, this card or other painting surface 3l being provided with registration lines preterebly on e sur'tuce. Here again l may ssy that although 'lt prefer t'ne painting surface to be white,

it tney be of any other color or shade es tney best suit the purposes ot the particular picture, but typically 1t will be White or gray.

The color oit the registration lines on thispuinting surface is immaterial, es they are finally removed or covered up entirely; but ordinarily they nisy be black. As l have seid, it is preferred or'siinplicity to ineke meneer this painting surface with its registration lines en exact duplicate es to size and line placement of the original registration chart; for, such being the ease, the finished picture on surace 31 may then be substituted for the registration chart before camere 26 Without changing the relative position of the cemera. For purposes of obtaining a set relation of the camere and registration chart or painting, the chart and painting may be mounted upon any suitable support, as for instance a board 32 supported in such a manner as to be definitely lined in position relative to csrnere 26. ln practice, e supporting device may be used ot' such s nature as to support camere 26 rigidly and to support board 32 so that it iney be moved toward and evvey trom the camere end also be moved liiterelly, so ss to accurately place the board et proper distance from the camere and so es to obtain accurately any lateral adjustment that niny be needed. But these physical firrengennents need not be i" streted or described here. Forillinn'" et g the registretion chsrrt und illuminating the painted picture, n light bon 33 rnsy be nsed, preferably provided 'mth 343 giving e predominnnce et sctinic rays.

During initial expos"A the charts and tbe lino originel negative to the il ture, the leinps so op rninetion always the se of ini cnposure of the y prepsred picl tl t the iiluef e. To rcgrsterthe r end vinl picture in corresponding p on board 32,

t the pi tere n y be pro- 'ion holes "5, which :rre iy ion to i l i n swlr i .p red i rele irneges ll" Lidl?? rising the registration -es Gor that purpose, end when pleced in i r its reo'istered position in the piece occupied by the registration cq occupy exactly the space desire iilrn in the tinsl exposure.

ln preparing n painting :tor the purposes et this rnethod, ritter the peintin Ence 3l has been prepared es betere described with its registration lines, the artist then i'irst lsys out carefully on the painting surizrce either :i simple outline or further representation ot the originel scene inne-ges es they shown in the enlarged positive 3C. enabled very `securntely to ley out such t represents,- tion o the originel images by reference to the registration lines in enlargement. Having thus determined leid out the relative positions which these images 'would occupy upon bis painting surfsce, he then proceeds to ley out end peint upon the reineinder ot' the painting surface e representotion of the scene desired to be composed with the origins-l images., ln doing this he Will nornfielly drst ley out his design to Whatever orinerly nneges d on the extent he maylwish to fill the space and will then proceed, using the paints hereinbefore mentioned, to ll in the design in the colors and shades proper to the representation he is making and also in such colors and shades as will blend and balanceproperly with the original images.- The manner in which the artist obtains exact place registration will 110W be understood 'W1th0ut the necessity ol further detailed description. He obtains exact balance and blend by the use of color chart image h. For instance there may be in the original image a shade or color value at a particular point, as at 35", as indicated in Fig. 7, and in order to obtain proper balance as to color values the artist may Wish to reproduce that particular shade or color value at 35 in his painting. To do this he talzes the color chart image 20b and by juxtaposition and careful comparison he notes what area of the, color chart image corresponds most nearly or exactly with the shade at 35 in the enlargement 30. Having thus determined a v particular area of the color chart image, he

notes the number corresponding to that area and then in painting at the point a in his painting, he uses the pigment of that same number in so ar as he' Wishes to get that enact shade or color.. And likewise in and throughout his painting he will at all its various parts use the pigmentsthat are indicated ley the number on the color chart image 20 corre spending to that area ol the color chart that matches with some particular part ol the original scene images' on enlargement 30. And

Working in this manner it will he seen how the artist obtains results that give a linal goed balance of color values or shades and tones; and particularly hotv the artist obtains close correspondence and balance ol such color values or shades and tones at the edges of his paint-ing, the photographic irnages of which edges arelinally to be shown graphic conditions being again the same as those under which his finished painting is to be photographically reproduced. Consequently, he is sure at every step of securing proper matching and balance of color and shade or tone.

When the painting is finished, all those parts of the registration lines not covered up are carefully removed. from view. The parts corresponding .to the original scene images are actinically blocked out, usually by painting over black as shown at 40.

The painting thus having been carefully prepared, it is then placed upon the supporting board 32 in the place formerly occupied by the registration chart; and ifthe painting work has been accurate as to placement, then the image of the painting will exactly match on the lm with the image of the original scene. This exact registration may be tested by making an enlar ement of a piece of test lni that has been ally vexposed and developed. li there is any slight lack of reg-I istration, the supporting board 32 ma be shifted slightly to obtain exact registration.

When all things areY thus prepared, then, the painting being illuminated with the same light intensity as that b which, the original color chart was rst i uminated, the orig inal partially exposed film, With its latent image of the original scene, is then run through the camera, withthe result that the previously unenposed part of the hlm is then exposed to the painting. The time period ol this exposure is ixed by the time period determined by exposure of the test hlm, as previously referred to. li all the Work has heen properly done, and it is easy to do the vvorlr properly in accordance with my system, the lilm, `when then hnally developed to the eatent determined in the previous development oli the test iilna, `Will then shovv a complete scene image in Which the two component parts are registered and blended together in such a manner as to appear as a single original scene tahcn at a single exposure.

From what has been said it will be readily seen that my procedure is such that lilm shrinlrages do not adect it. rlhe painting or other scene component is prepared hy reiterence to the hn itself; and that scene compo nent is then photographed upon the lilni betore it is developed. The hlm will shrinlr very little or none in the small time period intervening between its exposure tothe registration chart audits final exposure to the prepared scene component. ll development of the test tilm has caused shrinkage, that shrinkage will be proportionate in all directions and also proportionate as regards hoth the scene images and the registration line images. Consequently proportions in the prepared scene will. always be correct; and ita there is any slight difference between the absolute size ol the original negative and the developed test negative, that dierence may be measured and compensated for by moving the painting slightly toward or away trom the camera before making the nal exposure.

l have described my procedure speciically as using avdat painting on a tlat surlace 3l; but it will be readily understood how the artiicial representation on surface 31 may be vJrnade in relief, due regard being had to the registration lines; and it will be further understood how I may proceed a step further and substitute tor such a flat painting or relief a physical miniature representation of such artificial scenes or objects as it may be lili?! tix desired to incorporate into the inal picture. For instance, such miniature representation may be miniature representations of houses or other architectures, boats, miniature rep resentations et persons, trees, or in tact anything aise desired. ln arranging such miniature representation it will, ot' course, be recognized that they cannot be placed in or on the plane ot such a painting surface as shown at 3l, or in the plane oi the registration board. Consequently, in arranging such miniature representations, in order to get them accurately registered in position to match with the original scene images, they may be arranged against or in front of such a lined surface as shown at 3l, or even behind such a chart made on glass, but their positions with reference to the registration lines will be determined by viewing them, so to speak, through the eye oi the camera. As a simple instance of such use ot miniatures, We may suppose that it is desired to place the miniature representation ot a house in a certain position in the painted scene shown in liig. 8. When that painted scene is placed upon the registration board 32, then the miniature is placed in the desired position in front of the painting, that position being determined and adjusted by viewing the painting and miniature through the camera lens or its equivalent. ln practice, this may be done by looking at the .tilin through a finder or focusing instrument, or by talting an exposure and enlarging. lNhen such a miniature is prepared and properly ar ranged for registration, a mat may be used to prevent ire-exposure ot the previously er;- posed part of the negative; or a non-actinic abric may be arranged around the miniature, or any ot the other means of blocking out herein mentioned may be used.

ln tact, the nature of the additive scene component is more or less immaterial to the operation oli my method. l have used the word artificial in that regard because the additive component vvillusually be such. But eren that is not. necessarily the case nor is it necessarily the case that such component be especially prepareda For instance, by selection and by mailing the same comparisons as to color and shade as be-ore described, a natural scene might be found that will satis- Ytactorily compose with the original scene component.

ln case it is desired not only to add to the original scene imagebut also to modify it, that maybe easily done in accordance 'with my procedure. For instance, suppose in the original negative image la ot' the road would be too lightthe iinal positive would show the road too darli in general tone, and it is desired to lighten up the final image of the road. ln that kcase the artist, when he blacks out the part of his painting corresponding to the original scene images, will not completely blaclr out the part cor responding to the original image of the road. He may black out, or instance, as shown at in F ig. 8, the part of his painting corresponding to the hills at the left of the road, but he will then apply to the part corresponding to the road image a tone of pigment that is some shade lighter than black or non-actinic. rThis, for instance, is indicated at d1 in Fig. 8. In the final eX- posure of the hlm to the painted picture; the image of the road Will then receive some additional light, with the result that the inal road image in the final positive Will appear lighter in tone than would otherwise be the case. Other applications of such modification will immediately occur to those skilled in the art. ll or instance, it the original scene contained a Window and it is desired to show that Window more highly tlooded with light than is actually the case in the original scene, the part ot the artists painting corresponding With that Window would not be black or actinically blacked out, but Will be covered With a pigment ot some lighter shade so as to correspondingly modify the image ot' the Window in the linal positive. And not only can moditications ot' color value or shades ot' light and darkness be thus modified, but objects may be actually inserted in the image ot the original scene. And it will be readily understood that such objects, it they can loe represented in tones that will obliterate the registering tones of the original image, may he inserted into the original image Without any phantom effect; and at any point in the original image phantom images may he inserted as desired.

ln the use of mats at or near the camera-- sucha mat is shown at la in F ig. 3-it is Well understood inthe art that a perfectly sharp and clear line of demarlation between the originally exposed and unexposed parts ot a negative is not obtained. Such mats are usually not placed in a focal plane but are usually in practice placed before the lens. lWhile a fairly sharp line of demarlration may thus be obtained, it is impossible to obtain a completely sharp line, but the line of the mat is then represented in the hlm by a band that shades off from edge to edge. Thus we may suppose that in Fig. 'Z' the outline lines 37 and 38 represent the limits o the area ot complete non-exposure in the original exposed film. lnside these lines there will then be a band, Whose inner edge is diagrammatically represented by the dotted lines 37 and 38, and in this band the exposure ot the hlm to the original scene is notcomplete, but shades from complete exl posure at the line 38a to no exposure at the line 38. rlhe artist, in preparing his picture, may compensate tor this band by reversely shading that part of his painted representation, for instance, between the lines 38 and 38:l shown in Fig. 8. The shading of this band in the positive of Fi 7 wai be from dark to light, proceeding rom line 38 to line 38a. The artist will thus shade his painted band from light to dark, proceed-- 'painting or other prepared scene. ln such a case the artist will run his painting over the line 38 into the original image area, reproducing in that part the corresponding part ofthe original image. Then by using the complementary mat in front of the camera, the shaded band caused by that mat compensates the shaded band caused by the first mat.

On the other hand, the shaded bands may be entirely eliminated by using mats or masks or equivalent blanking out arrangements such as will give a perfectly sharp line of demarkation between the exposed and unexposed portions of the original negative. For instance, suppose that' the original scene, such as depicted in Fig. l is not to be photographed from an actual natural scene, but from a fiat representation of that scene, such as a painting or the like. In that case, a suitable non-actinic surfacemay be placed directly upon the original painting with an edge contour such as to exactly cover the parts 12 and 13 of that paint-ing that are not desired in Ithe final picture. Suchl a nonactinic surface being in a focal plane, will give a perfectly sharp line of demarkation and may be applied to the original painting very accurately. On the other hand, if it is not desired to go to the work of covering the whole of surface 12 and 13 in the original painting, a band of some suitable non-actinic substance, such as black velvet, may bearranged around the edges of the surface parts 12 and 13, such `a band being indicated in dotted lines at 42 inFig. 1. If this band is sufliciently wide 'to cover the area corresponding to the shaded band of which I have before spoken, then a mat such as shown at 14 in F ig. 3 may be used at the camera, with its contour such as to entirely cut out exposure of the remaining parts of surfaces 12 and 13, the shaded band that-would come at the edge of the mat then falling in the area corresponding to the band 42 actually placed upon the original painting. By this means a perfectly sharp line of remarkation is obtained. And it will now be understood from what l have said regarding blocking out that the methods last explained with regard to painting may be readily applied to ordinaryscenery or ordinary backgrounds such as are usually termed sets in motion picture work.

From a consideration of the nature of the color chart and its images and the uses which l have now described, it will be readily understood that the use of such a color chart and its image is not necessarily restricted to the particular kind of process or procedure that I have here described. The function and utility ot' the color chart is to enable the artist or other person to determine just what color value or shade or tone will exactly or very closely match with a photographed image. And this is done by using both an original color chart and an image of that color chart photographed and developed along with the image of the scene or other thing whose color values, tones or shades are desired to be matched. Consequently it will readily be seen that the system involved in the color chart and its use may be applied to many other situations wherein itis desired for any reason to match color values, tones or shades. land my system as a whole, or the color registration part of it, may also be particularly applicable to workin" with color pictures, either moving or still. s applied to color pictures, the color chart and its image, enable accurate registration not only of photographic time, but also of the colors themselves, and their depths.

llVhile l have explained the procedure in simple torni, it will readily be seen that it applicable to more complicated situations. F or instance, the procedure is no dierent if the original scene contains motion as it usually does in motion picture work. Furthermore the procedure is not limited to the composition ot' only two scene components; by simple repetition it may be used to compose three or more.

l claim:l

1. The method of producing a composite photograph, that includes first producing by partial exposure two duplicate undeveloped negatives carrying on exposed portions duplicate latent images of a scene desired as a component of the finished composite photograph, a part of each negative being unexposed, exposing one of said negatives to registration lines and developing, preparing an additive scene, by reference to the showing of the registration lines on the developed negative, to match with the unexposed part on the other undeveloped negative, exposing said last mentioned negative in its previously unexposed part to said additive scene, and developing the last mentioned negative.

2. The method of producing a composite photograph, that includes first producing partial exposure two duplicate undeveloped negatives carrying on exposed porms duplicate latent images of a scene dee.-d as a component of the finished con Cel posite photograph, a part of each negative being unexposed, exposing one of said negatives to registration lines and developing, preparing c miniature additive scene, by reference to the showing of the registration lines on the developed negative, to match with the uneirposed part on the other undeveloped negative, exposing said last mentioned negative in its previously unexposed port to said additive scene, and developing the last mentioned negative.

3. The method or" producing a composite photograph, that includes irst producing by partial exposure tuo duplicate undeveloped negatives carrying on exposed portions dupli cate latent images oi a scene desired as .e component oi the tinished composite photograph, a part oi' each negative being unen posed, exposing one oi said negatives to registration lines and developing, making a posin tive enlargement oi said developed negative, preparing e miniature additive scene, by rei?n erence to said enlargement und the registration lines thereof, to match with the unexposed part on 'the other undeveloped negative, exposing said last mentioned negative in its previously unexposed part to said additive scene, and developing the last mentioned nega'tive,l

l. The method of producing a composite photograph, that includes :tir-st producing h v partial exposuretvvo duplicate undeveloped negatives carrying on exposed portions duplicate latent images oi a scene desired as s component oi Athe iinished composite photo graph, a part oi each, negative being unex posed, exposing one olE said negatives to registration lines and developing, inalring a positive enlargement; or" said developed negetive, preparing an additive scene, lov reierence to said enlargement and the registration lines thereoi, to lmatch with the unerposed port on the other undeveloped negative, exposing said last mentioned negative in its previously uneiiposed to said additive scene, and developing the last mentioned negative.

5. The method oi producing a composite photograph, that includes rst producing hv partial exposure two duplicate undeveloped negatives carrying on exposed portions duplicate latent images oi' a scene desired as a coinponent oi the finished composite photograph, e part oi' each negative being uneirposed, eX- posing one ci said negatives in a camera to registration lines, the' relation of the camera to the registration lines being fixed, developing the exposed negative, making an enlarged positive of said developed negative, preparing a scene background With lines in duplication of the registration lines, preparing an additive scene against said baclrgrounmby reference to the scene und registration line images on the positive enlargement, to cor respond with the unexposed parts of the other negative which is still undeveloped, the parts of said background except those occupied by the additive scene being rendered nonactinic, substituting the Vprepared scene in place of the registration lines before the camera, exposing said last mentioned undeveloped negative in the camera to the prepared scene, and developing said last mentioned negative.

6. The method of producing a composite photograph, that includes first producing by partial exposure tivo duplicate undeveloped negatives carrying on exposed portions duplicate latent images oi a scene desired as a componentoi `the iinshed composite photograph, a part ot euch negative being unexl posed, exposing one of said negatives to registration lines and exposing the saine said negative in previously unexposed part to a color chart under a predetermined illumination, seid color chart having area showing grsduations of color changes, developing said exposed negative and thereby obtaining a negative having an image o the original scene component, an image of the registration lines and an image of the color chart, melting an enlarged positive ot said developeri negative, removing the color chart image from said enlarged positive, preparing a painting ground with registration lin-es in, duplicate ci the tiret mentioned registration lines, making on seid painting ground, by reference to said positive enlargement and b comparison oi the color chart image with the enlarged scene image, und additive scene 'to correspond en unenposed part oi the other undeveloped negative and to metch the images oi seid negative shade and. color value, the parte ci' seid ground except those occupied by the additive scene being ren-i dered'non-actinic, exposing said last inenn tioned `negative to said additive scene the saine illumination as used in exposure of the iirst mentioned 'negative to the color chart, and developing the last mentioned negative,

7. The method oit producing a composite photograph, that includes hrst producing by pertial exposure two duplicate undeveloped negatives carrying on exposed portions duplicate latent images of a scene desired as a component ot the nished composite photo graph, a parto' each negative being unerposed, preparing a series of pigments in graduated color values and shades, preparing a color chart carrying areas oi said graduated pigments, exposing a previously unexposed part oi one of said negatives to saidi color chart, developing said exposed negative 'with reference to proper development of the scene image thereon, the time and illumination factor of said exposure being determined as that which 'will give, upon said developnient, graduated shade images oi said areas ot the color chart corresponding With shades lll) in the developed scene image, making an enlarged positive of said developed negative, comparing the color chart image ofthe positive with the shades of the scene image of the positive and thereby determining the pign ments which correspond with said'shades,

then preparing an additivescenebyusing' pigments determined by such comparison, exposing the other undeveloped negative in its unexposed part to said additive scene` under thetime and illuminationfactor determined in the exposure of the, color chart,

and finally developing the last mentioned negative to the extent determined by the development of the lirst mentioned negative.

8. The method of producing a compositeV photograph, that includes first producing by` partial exposure two duplicate undeveloped negatives carrying on exposed portions duplicate latent images of a scene desired as a component of the finished composite photo. graph, a part of each negative being unexposed, preparing a series of pigments in gradn uated color values and shades, preparing a color chart carrying areas of said graduated pigments, exposing a previously unexposed part of one of said negatives to said color chart, developing said exposed negative with reference to proper development of the scene image thereon, the time and illumination factor of said exposure being determined as that which will give, upon said development,

. graduated shade images of said areas of the color chart corresponding with shades in the developed scene image, comparing the color chart images with the shades of the scene image and thereby determining the pigments which correspond with said shades,then preparing an additive scene by using pigments determined by such comparison, exposing the other undeveloped negative in its unexposed part to said additive scene under the time and illumination factor determined'in the exposure to the color chart, and finally developing the last mentioned negative to the extent determined-by the development of the first mentioned negative. y

9. The method of producing a composite photograph, that includes first producing by partial exposure two duplicate undeveloped l ne atives carrying on exposed portions duplicate latent lmages of a scene desired as a vcomponent of the finished composite photograph, portions of both negatives being relatively unexposed, preparing a color chart having a surface displaying a chosen plgment, exposing a previously unexposed portion of one of said negatives to said color chart, developing said exposed negative with reference to proper development of the scene image thereon, the time and illumination factor of said exposure being determined as that which will give, upon said development, an image of the color chart comparable in density with parts of the scene image, then prej-deterin'ined by a4 comparison of said n itsv` unexposed paring an additive scene by using pigments exposing the other undeveloped negativ y part to said additive scene under the time and illumination factor determined in the exposure of the color chart,

and iinally developing the last mentioned negative to the extent determined by the development of the iirst mentioned negative.

10. The method of producing a composite photograph, that includes first producing by partial exposure two duplicate undeveloped negatives carrying on exposed portions duplicate latent images of a scene desired as a component of the finished composite photograph, a part of each negative being unexposed, arranging one of said negatives in fixed relation to photographable registration lines', said linesbeing reglstered by physical registering means in a fixed position, exposing said negative to said registration lines and developing said negative, preparing an additive scene von the same scale as that of the registration lines, said additive scene 'being prepared, by reference to the registraand reg-- 

